This article is from
Creation 18(1):26–30, December 1995

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Editor’s note: As Creation magazine has been continuously published since 1978, we are publishing some of the articles from the archives for historical interest, such as this. For teaching and sharing purposes, readers are advised to supplement these historic articles with more up-to-date ones available by searching creation.com.

Focused on creation
Interview with creationist photographer Pete Dobré

by Robert Doolan

Cooper Creek, a long, intermittent stream in outback Australia, has provided photographer Pete Dobré with some spectacular scenes of God’s creation.

Over 3 and a half years, Pete and his family—wife Cil and children Tess, 6, and Jed, 3—made the long expedition to Cooper Creek nine times to photograph its wildlife, its dawns and sunsets, and its magnificent variety of landscapes.

Click for larger view.

‘I kept being drawn back there’, Pete said. ‘The Cooper Creek is unpredictable as to when it will flow. It may flow tomorrow, or not for a hundred years. It has flowed fully only a handful of times in recorded history.’

This unpredictability makes for some amazingly diverse scenery.

‘Working out there allowed me to see the immense beauty and creativity that God uses with colour, light, and texture. It is always a joy to capture what God has put together.’

Pete recalls his fascination at seeing in this desert creek a tree which he called ‘the burning bush’. He first photographed this tree at dawn with the sun behind him. ‘The dead tree seemed to come alive with its vibrant colours’, he said. ‘I named this shot "the burning bush" after the bush mentioned in the Bible which burned but was not consumed when God spoke to Moses’ (Exodus 3:2).

This picture was chosen as the cover for Pete’s recently published photo-book, The Cooper Creek in Outback Australia. Six months later he photographed the tree again—the former desert creek was now in flood, with ‘the burning bush’ engulfed in water that had flowed down from Queensland to Lake Eyre. An impressive series of four widely contrasting photos of this tree, at different times of the year and over a three-year period, form a much talked about set of pictures in Pete’s book.

Pete is also a schoolteacher who specializes in media studies. His expertise as a photographer has allowed him to set up dark rooms and provide photographic advice for schools as well.

He gives God the glory for providing the subjects for his photographs, and when he is invited to show his high-quality slides, he always starts his presentations by quoting Genesis 1:1—‘In the beginning God created ...’. These words also appear on the back of all his landscape Oz Scape greeting cards.

He has never had a negative reaction to this at slide presentations, and has had only one refusal from a store which he approached to sell his cards. ‘The lady said she was an atheist, so this gave me a good opportunity to talk to her about creation’, he said.

When did Pete’s interest in photography begin?

‘I was always interested as a kid, but I couldn’t afford to buy a camera. Media courses in primary school fueled that interest until I was able to buy one.’

Pete, now 37, came from a broken family. He said he has made sure his children do not have to go through what he did as a child. He was born in Barmera, a small grazing and fruit-growing town in the Murray River valley in South Australia.

At the age of 15 his involvement with a local church basketball team led him to receive Christ as his Saviour.

His interest in creation science began in 1978. He attended a lecture by a visiting American speaker, and the interest from this was reinforced when he heard other creationists speak.

‘Even as a child I didn’t think evolution made sense’, he said. ‘But when I heard how such things as the laws of thermodynamics refute evolution it was the turning point for me. What I like about creation science is that creationists can overturn evolutionists on their own ground with good science, and uphold the truth of Scripture.’

Pete writes occasional magazine articles, and was recently very upset when an article he had written was editorially altered to make it appear he believed in evolution. ‘There were some comments about dinosaurs in the article, and without my knowledge the magazine added that dinosaurs were around millions of years ago. I don’t believe that. Evolution is one of the greatest abominations around, and for someone who so strongly opposes it I was really angry that they changed my words and presented the article under my name.’


He complained to the editor about it, but has yet to see a satisfactory outcome.

Pete’s favourite photo is of a desert rainbow. He said he is always thrilled when he sees a rainbow, because it reminds him of God’s promise in Genesis that He will never again send a worldwide flood as He did in Noah’s time. While shooting photos for his book, Pete arose at dawn one morning and began walking along the shore-line of Cooper Creek. Giant clouds rapidly swept across, and light rain began to fall. Suddenly a rainbow appeared.

‘There was stillness in the air, and ducks in the far distance which I could hear across the water, and there was this awesome rainbow in front of me. To be able to capture on film this special part of God’s creation was an honour.’

Things don’t always work out so well. He once travelled to Central Australia to photograph Ayers Rock in the rain, only to find the rain had dried up just before he got there. Another time, he thought he had taken some breathtaking photos of brolgas and red-tailed black cockatoos in the Kimberley region of Western Australia. He was then shocked to find that the film had not wound on to the sprockets in the camera, so none of the photos was actually taken.

For all this, though, Pete Dobré has a dazzling array of photographic images. And each has its own story. Even an ordinary-looking photo of flies on a twig has an interesting story behind it.

‘When the days are very windy, flies seem to disappear. This particular day the winds were extremely strong, and my daughter Tess asked me where all the flies were. We looked around, and found this twig with flies all hanging on to it. As we looked further we found millions of flies attached to swaying branches and thin, sharp grasses. I managed to get a photo of the flies on a twig, but the grasses were vibrating at such speed that I couldn’t photograph them.’

Pete sees his books and cards as being a strong testimony for God’s creation. He believes that creationist material is having a huge impact, and he is especially glowing in his praise for publications such as Creation magazine. ‘It’s a great tool to give to non-Christians’, he said, ‘because it really makes them think.’

And encouraging people to think about creation is something that photographer Pete Dobré, like Creation magazine, will continue to focus on.